Microphones
Noyz Boyz delivers the best professional microphones and accessories for studio recording, theater, and location sound recording. Brands like Ambient, DPA, Sanken, Schoeps, and Voice Technologies.
4099 CORE+ Rock Touring Kit, 10 Mics and accessories, Extreme SPL
[133801_04] RC Set Singer CMC 6 (MK 4) – “Plug and Play” set with MK 4, CMC 6 U, RC 1200, RG 8, STR 350, BF 250, SG 20, B 5 D and premium case for mono set.
DAD4099-BC MicroDot to XLR adapter with 80 Hz low-cut filter and belt clip, suitable for instrument microphones.
4099-DP-1-201-B Microphone for double bass with a frequency range of 80 Hz to 15 kHz, supercardioid polar pattern, and maximum SPL of 142 dB.
[700252] MKH 8018 — stereo shotgun RF condenser mic with MS/XY-narrow/XY-wide, low-cut at 70 Hz, −10 dB pad and XLR-5M connector.
[133804_04] RC Set Violin CMC 1 U (MK 4) – “Plug and Play” set with MK 4, CMC 1 U, RC 700, RG 8, STR 1000, BF 250, SG 20, B 5 and premium case for mono set.
[222006] Waterproof Case for TR 200 KC – Rugged plastic case protecting against moisture, dust and shocks. Designed for safe transport and long-term storage.
COS-11D-HWM-BE-PT – headworn microphone beige, matte finish. Version without connector, suited for theatre, TV and live productions.
Parabolic Set, CCM 4 [163201] – Complete set with parabolic dish and CCM 4 microphone for applications requiring high directivity.
[139003] Wide Cardioid Stereo set with 2x MK21, 2x CMC6, 2x SG20, 2x B5D, matching.
801283 replacement elastic for A 20 and A 20 S microphone suspensions, helps reduce vibrations and handling noise for clean recordings.
4099 Core+ Classic Touring Kit, 4 Mics and accessories, Loud SPL
COS-11D-HWM-CC-PT – headworn microphone cocoa, matte finish. Version without connector, suited for theatre, TV and live use.
Overige categorieën in Microphones
Microphones
Noyz Boyz delivers the best professional microphones and accessories for studio recording, theater, and location sound recording. Brands like Ambient, DPA, Sanken, Schoeps, and Voice Technologies.

























